Journey and Echoes — Notes and reflections
It is a place where the echoes of my artistic encounters resonate, offering insights and evoking new interpretations. A diary of exploration and reflection, where each entry is a confluence of external experiences and internal revelations.
Journey and Echoes' is an odyssey into the heart of my artistic universe, inviting you to explore the landscapes of my imagination and the philosophical undercurrents that pulse beneath the surface. In this tapestry of narratives and reflections, you will encounter a blend of languages, where at times, my thoughts and musings find their expression in the rich nuances of Italian. Additionally, this section weaves in the explorative works and academic endeavors conducted with my students, showcasing experimental content that emerges from our collaborative academic explorations. These shared journeys with my students are an integral part of my creative process, reflecting the dynamic interplay of teaching, learning, and creating in the realms of art and technology.
I miei rituali elettroinci sono atti intenzionali con una struttura precisa e un significato simbolico, volti a stimolare l'evoluzione spirituale dell'individuo.
Cerco di trasformare la materia in energia, il rumore in armonia, e la disconnessione in connessione, aiutando l'individuo a sviluppare una maggiore sensibilità alla bellezza e complessità del mondo che lo circonda.
<In progress... I’m Unfolding my archive... Stay Tuned !>
Spazio Zero - Il respiro del cielo
Study in touch designer for the installation
at Museo delle alpi in Bard (AO)
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.
Talking about Generative Art wwith Dean of Naba Guido Tattoni at OKTV Festival in Sardinia.
PhAI
A camera that reverses the user-object role, where an artificial intelligence being uses man to expand his knowledge of the world. An object to reflect on design for non-humans. An object to investigate the expressive capabilities of neural networks and algorithms.
Il respiro del Cielo 2013
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.
... ... ... .
XXX
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.
....···.·.·•.·•••••..
An invitation to abstract oneself, to get lost in the city, to walk around looking about as if lost, curious, to feel in another place, an unknown location, realizing there is still much to see and experience in our own city. The city we habitually traverse is only one of many.
An algorithmic psychogeography tool for getting lost in the city, guided by the ethereal commands of a voice.
Anti-GPS
A sinking of data flows generated by computation, process, and generative code into the everyday space. From virtual flow to the perception of the real.
A sinking of data flows generated by computation, process, and generative code into the everyday space. From virtual flow to the perception of the real.
....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.....···.·.·•.·•.·•.·•.·•.·•······•••••··.··•••·••••.